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Used the "red filter" in photoshop. I'm sure you know this, but for the benefit of anyone else reading this I'll say why. The idea in BW is that colors can create contrast. In film, BW photographers will use an actual color filter. In digital we do it after the fact. In using a red filter, warm tones tend towards lighter grey tones and cool colors tend towards darken grey tones. This builds immediate contrast between sky and foreground.
Cheers,
Alec
I am really enjoying this image. So much depth created with tone (light to dark to light to dark) and texture. I am liking the repeated shapes in the rocks and clouds....the feeling of motion and strength. Very dynamic. More importantly though, did you have fun? :) Hope the shoot at the house went well.
KG
Is there a dog in the newer one?
What's your favorite, and why, if you would volunteer such information?
As always, your comments are very thoughtful. YES, my dog is in this one...she's a real ham for the camera. Which do I like and why?
I like this second one better. I tend to favor stronger, more in your face compositions. So, I took this camera angle and lens perspective to achieve it. Leading lines are great of course, but its one of those "rules" I'm happy to break IF other things are working in my favor. In this image I had a huge element working in my favor...THE CLOUD. I waited for a series of clouds to pass before I had one that worked. Kim noted in her comment a sense of repetition of shapes, starting with he pool of rocks, extending to the rock mound and right to the cloud. This adds a sense of connection between three potentially competitive subjects. A different sky, as in the first image, can be dramatic but not necessarily create harmony in the image. With this photograph I feel I can experience THREE different subjects, but in a unifying manner. Furthermore, in the first image I had to do some things I don't like doing. Choosing the leading line actually forces a camera position that places the mound below the horizon and exposes some shoreline in the distance, on the right edge of the frame. ALL unpleasing circumstances. I scaled the mound in PS to get it above the horizon. In Today's image I had the "right" camera position from the get go, but had to sacrifice leading line to get it. AHHH, the realities of photography.
The rocks in foreground ARE IN A POOL of water. All the potential glare was removed with the polarizer.
THANKS JEFF!